Distinguished Alumni Award


Steven W. Baker (Duck's Breath Mystery Theatre) 72BA

1988 Service Award

Ducks Breath Mystery Theatre has been quacking up audiences for more than a decade. The Ducks' outrageous comedy troupe—William D. Allard (75MFA), Daniel J. Coffey (75MFA), Merle B. Dessler (73MFA, 74MFA), Leon C. Martell (75MFA), Jim Turner (former UI student), and Steven W. Baker (72BA)—was hatched in 1975, while several of the group were students in the UI's theatre arts and writing programs. Many Iowa Citians still recall the early days when the Ducks were perfecting irreverent sketches, like Gonad the Barbarian, in front of raucous crowds in student nightspots.

That was before Duck's Breath caught scent of the West Coast entertainment industry's bucks for yuks and promptly migrated to present headquarters in San Francisco as their growing list of stage, radio, television, and film credits indicates, California has been good to Iowa City's funnies expatriates.

Bill Allard—best known as the polyester-clad Mr. Nifty—has produced both Cinemax comedy specials and the Duck's Breath series for Viacom Cablevision. Along with producing radio and television spots through his advertising agency, Duck Spots, Allard teaches advanced acting at San Francisco State University. The director in numerous productions of fellow Ducks' plays, Allard directed cohort Kessler's play Table for One to rave reviews in New York City last fall. Now, Allard's planning to direct his first feature film, "Ticket to Paradise."

Then there's Dan Coffey's Dr. Science, a mad mix of Carl Sagan, Frankenstein, and Robert Ripley. Believe it or not, on Saturday morning's "Dr. Science," Coffey has been telling kids that the secret of gravity is Elmer's Glue All and that dinosaurs became extinct because of their whining, gimme attitude and poor posture. This campaign to misinform America's youth began when he and Kessler created "Ask Dr. Science" on public radio in San Francisco in 1982. Two years later, the show began airing on American Public Radio stations and a public television special, "Dr. Science's Official National Science Test," ensued. Today, hip science demands familiarity with Coffey's and Kessler's definitive test, The Official Dr. Science Big Book of Science.

Merle Kessler is in the same bind as Coffeya fine writer at the mercy of his comic creation, Ian Shoales. A sneering social critic of Yuppiedom, Shoales considers it his calling "to say 'no' in a nation that says 'yes' to every bad idea that comes down the pike." His snide commentaries on National Public Radio's "All things Considered" bechuckled Ted Koppel, so he became a frequent guest commentator on "Nightline." Shoales also appears weekly on Duck's Breath Homemade Radio series and even has a novel, Perfect World, due out this summer.

Kessler's Table for One, Coffey's Mark of the Beast, and Leon Martell's highly acclaimed Hoss Drawin' exhibit the superb play righting talent the Ducks can muster. Several Ducks' plays have been produced in theatres around the country and at national play festivals. Kessler has written for network specials featuring Jay Leno and David Frost, and Martell authored the screenplay for the upcoming feature film, Ticket to Paradise.

Leon Martell was a featured actor in the hit film short Porklips Now, recently appeared in the film Made in Heaven, and played the lead in The Marriage of Bette and Boo, for the Arizona Repertory Theatre company. His array of characters—from the manic security guard Zeke on the Dr. Science TV series to the mercurial Congo Bob of Duck's Breath state performances—demonstrates his versatility as an actor.

Jim Turner is another longtime Duck's Breath stage favorite. Praise for his one-man show, The Brain That Wouldn't Go Away, and proliferating film appearances—The Right Stuff, Porklips Now, Grunt: The Wrestling Movie, and Lost Boys—have groomed Turner for inevitable stardom. But the real catapult appears to be his Music Television character, Randee of the Redwoodsa lost-in-the-ozone remnant of the 60s trying to deal with perspectives of the 80s. Randee's music video, "Either Way Is fine With Me," was an MTV pleaser, and his off-again, on-again presidential candidacy has at least troubled Paulsen and Stassen.

Holding all this craziness together is a general manager Steve Baker. Keeping the Ducks in queue, arranging shows and tours, producing their daily 90-second spots for their "Homemade radio" series, and marketing books, records, and paraphernalia has become the lifework of this former UI student government activist. As former editor-in-chief for the Daily Iowan during an award-winning year, Baker, too, has a way with words. He once deadpanned that Duck's Breath is just a T-shirt company that does comedy on the side.


About Distinguished Alumni Awards

Since 1963, the University of Iowa has annually recognized accomplished alumni and friends with Distinguished Alumni Awards. Awards are presented in seven categories: Achievement, Service, Hickerson Recognition, Faculty, Staff, Recent Graduate, and Friend of the University.


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Thought to be the only national literary honor selected by students, the prize is accompanied by a $10,000 award for the first time this year thanks to a new partnership between the UI Nonfiction Writing Program and the Kyle J. and Sharon Krause Family Foundation. Shawn Wen, winner of the 2018 Krause Essay Prize, is the author of A Twenty Minute Silence Followed by Applause. Her writing has appeared in The New Inquiry, Seneca Review, Iowa Review, White Review, and the anthology City by City: Dispatches from the American Metropolis. This year's Krause Essay Prize recipient is Shawn Wen, a San Francisco-based multimedia artist and the author of A Twenty Minute Silence Followed by Applause (Sarabande Books, 2017), a book-length essay on the life of French mime Marcel Marceau. Wen, whom students selected from a pool of 14 nominees, accepted her award at a ceremony in September in the Old Capitol Senate Chamber. Nicol?s Medina Mora Perez, a third-year MFA student from Mexico City, was among the prize judges in the spring seminar taught by author and Nonfiction Writing Program director John D'Agata (98MFA). Perez said that beyond discussing the merits of the nominated essays each week, class conversations revolved around how they define essay writing and the type of nonfiction they wanted to champion as representatives of the UI. By serving as judges, Perez says, students had the opportunity to read a broad selection of contemporary nonfiction that they may not have otherwise sought out. "By the end of the semester I had a clearer idea of the sort of work that people are publishing today, which includes stuff that I'd like to imitate and stuff that I'd rather not," Perez says. "I guess it's a bit like watching the World Cup with your soccer teammates: You see moves that you think are cool and want to steal for your own gameplay, but you also notice pitfalls that you should learn to avoid." 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The Krause Foundation is helping to fix that." Krause Essay Prize Winners The UI Nonfiction Writing Program has awarded a national essay-writing prize annually since 2007. With support from the Kyle J. and Sharon Krause Family Foundation, the award was renamed the Krause Essay Prize this year. For more on the prize, visit krauseessayprize.org. 2018: Shawn Wen, A Twenty Minute Silence Followed by Applause 2017: Peter Middleton and James Spinney, Notes on Blindness 2016: Oliver Sacks, Gratitude 2015: Claudia Rankine, Citizen 2014: Sophie Calle, The Address Book 2013: David Rakoff, Waiting 2012: Lauren Redniss, Radioactive 2011: Judith Schalansky, Atlas of Remote Islands 2010: Jad Abumrad and Robert Krulwich, New Normal? 2009: Mary Ruefle, The Most of It 2008: Joshua Raskin, I Met the Walrus 2007: Aaron Kunin, Secret Architecture

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